I Love Dweezil Zappa

Posted by dougfcknsteele on October 24, 2014

I started listening to Frank Zappa when I was 14 or 15, maybe even younger. My sister’s husband Dave was a massive Zappa head and had all his albums. Anytime I’d visit Lynda, I’d grab some headphones, some Zappa albums, and get to it. I found the album covers, lyrics, and music wacky and awesome. I knew about Steve Vai from Zappa, probably the stunt guitar off You Are What You Is.

I’m 9 months older than The Dweez, but I didn’t really know about him until I was 13 or so, when Dr Demento played Dweezil’s song “My Mom’s a Space Cadet” on his radio show. I heard Dweez’s solo and I was amazed and jealous, ha ha. “That fucker!” I thought. “He’s probably being taught by EVH and Vai and whoever else pops around Dad’s house!” I wanted Frank to be my dad!

Check out the solo. Massive Vai and VH influences. I was nowhere near that and just in awe a kid my age was busting that shit out.

So a few years back I heard Dweezil was putting together ZPZ, and I gotta be honest, I thought he was going to fuck that right into the ground. My brother in law bought me the DVD for Xmas, and we watched it then and there. I was pleasantly surprised to say the least. And when I heard Dweezil soloing, I damn near shat myself. WOW!! That motherfucker went back to the woodshed and sorted himself out. Like, hardcore. That takes serous dedication and time. Lots of time.

Buy this DVD now, and thank me later. With beer. If you don’t like it, then you’re a psychopath.

I know who I like more

There’s only TWO guys I have heard vastly improve throughout their career (most get that first royalty check and go the opposite way – I won’t name names, I don’t have to – use your fuckin’ ears), but Greg Howe and Dweezil are great examples of continuing to improve..

The day before I got married, I went with four friends to ZPZ at The Art Centre in Melbourne, Australia in 2007. We had great seats. I think Ray White was guest vocalist. Anyways, they were going to write a song on the spot and asked if anyone had a title for it. I stood up and yelled, “I’m getting married tomorrow!” Dweezil asked if that were in fact, true, and I confirmed that indeed it was. We had a nice little chat in front of everybody. They did a 12 bar thing that was just awesome. Sooo fucking cool.

I’ll stop now, but Dweezil? You are a fucking gun, man. A serious bad ass musician and guitarist. You went from full on EVH rip off with hints of Vai to a serious calibre guitarist up there with the likes of Howe and Garsed, for sure. Frank would be beyond proud. Thanks for doing the ZPZ as well. I’d love to come to a ZPZ camp, we’ll see how we go. Shit ain’t cheap, ha ha. But yes, I love telling other guitarists that you’re a bad ass and vastly underrated, which is a fucking travesty.

But yeah, I love you lots.

I love Testament

Posted by dougfcknsteele on October 8, 2014

Let’s see. It was probably ’88 or ’89 when I heard The New Order.

I had a friend in high school named Shawn Washabaugh. He was amazing. He would buy every single release from cock rock to thrash, jazz to experimental. And this was pre Internet and a lot of times, you’d go to Tower Records on the weekend and buy cassettes or CD’s. Shawn had it all, and he’d crank it in his car, and we’d love it. In South San Jose, we were the metalhead kids. Massive metal clique. Parties, friends, everything and everyone loved metal.

Back to Testament. Finally, a thrash band with a MAD lead guitarist! And no disrespect to the Exodus guys or the Forbidden guys (Twisted Into Form hadn’t come out yet). Usually you get a band with great rhythms and shit leads, or vice versa. What I really wanted was George Lynch in Anthrax. What I got was Alex Skolnick in Testament, and I was totally cool with that.

I love about 80% of the album. Eerie Inhabitants has that mad ass arpeggiated thing that is (for me), still mind blowing. The chorused clean tone was fucking mesmerising. Totally dug it. Sounded like bridge pick up straight a lovely Roland Jazz Chorus. I enjoyed the cleans as much as the dirties.

Sinister Sam used to play The New Order title track with our then drummer, Dave Shuster. I think he drums for Ed to Shred now.

I saw TNO tour at The Omni in Oakland. Primus were supporting. I was more interested in talking to two girls than watching the band. But I was smart enough to excuse myself for the mad bit in The New Order. Girls were pretty important to a 19 year old guy. Both are now Facebook friends whom I haven’t seen in 20 plus years.

I’ve spoken to Alex Skolnick at a Lääz Rockit show at The Stone in San Francisco 200 years ago. He wouldn’t remember me or my dumb ass questions if he wanted to. All the thrash metal royalty at the time were easily approachable at gigs, and pretty happy to chat.

Am I rambling? I feel like I am. Anyways, I’ll stop. I will say that out of the Testament catalog that TNO was my favourite album, and when Testament were out here for Soundwave, I had the privilege of chatting with Chuck Billy.

I love Andy Larocque

Posted by dougfcknsteele on August 11, 2014

And King Diamond, for that matter.

Watch the above clip, I pretty much tell the story about KD and Andy after my two solo.

Fave albums: Abigail, Them.

Some people can’t handle King’s falsetto vocals. I happen to think it’s perfect for the music. I seriously suggest you check out the album Abigail and give it a proper listen. If you can’t hang, then KD is definitely not for you. I’m still kicking myself for not checking out Abigail in ’87. Better late than never.

I’m into anything scary, be it ghosts, music, movies, whatever. I love it. I’m a tad macabre.

“Is that so, Douglas?!”

I dig Andy’s playing. the solos he did on Death’s Individual Thought Patterns was MAD ASS. His vibrato is sooooo nice. His harmony solos are outta this world. I just love the guy. And you should too. And if you don’t, you’re an idiot. For reals. You can’t fault that dude.

“I have to agree.”

Full album

I Love George Lynch

Posted by dougfcknsteele on August 1, 2014

Great news!! I’m doing Lynch videos for the best George Lynch Fansite

www.scarygroove.com

_{In guitarland, I have a Big Four. These are Eddie Van Halen, George Lynch, Paul Gilbert, and Jason Becker. This is how I got to know George.}

Again, it was early 80’s San Jose rock radio that got me onto George Lynch. The station was playing stuff off that first Dokken album: Paris is Burning, Breaking The Chains, and Live to Rock. When I heard Paris is Burning, I was like, “Ahhh, shit, my precious Eddie!!” I thought that any time I heard a mad solo by anyone other than Eddie on the radio.

So I bought that first Dokken album. I think at least half the songs on there were pretty average, but George’s solos made them a little more palatable. For me, anways. It’s funny, on the back sleeve of that album, it shows all the band members. George is so tan I thought he was African American until Tooth N Nail came out.

There was something I liked more about George than I did Eddie, and I couldn’t really put my finger on it ‘til Tooth N Nail came out. By this time I was 16 or 17, and I was starting to get pretty serious about heavy music and guitar. I started figuring out the songs on that album, and then it hit me.

What separates George from Eddie (and everybody else) was finger vibrato (Ed’s vibrato is pretty tough, it’s just that George’s was a tad tougher). In my brain, Lynch vibrato was the key. A wide, slow deliberate massaging of the string. Consistent everywhere on the neck. That is the key, man. Fast playing, slow playing, it didn’t matter. When you hit a note and apply Lynch vibrato, it screams, “I meant this!!” Even if you’re out of key but apply Lynch vibrato, it tells the listener that all that wacky shit was deliberate. It is the perfect punctuation to a whisper or a scream. And he was the first guy I ever heard apply vibrato to power chords, how rad is that?

From that day forward, I started applying Lynch vibrato to my style. Even now if I have a shit night playing live, I always go, “At least my vibrato rocked!” And that saves me from beating myself up. Cuz that ain’t gonna help.

At age 18, I remember thinking, “Well, now that I’ve found the definitive Metal finger vibrato, I guess everyone will catch on and follow suit.” I couldn’t have been more wrong. It’s fairly apparent in the early 80’s as it is now; no one really gives a fuck about vibrato. How is that? Why is that? It’s an easy technique to correct, and it falls under the ‘feel’ category. The judgmental asshole blues pricks will cut you a bit of slack. Everybody has a guitar pet peeve, and mine is vibrato. Friends know I can be harsh with this, and that’s why I get so down on Kirk Hammet at times. And trust me, I love Metallica’s early work. Ride the Lightning is thee shit! So is Master….

And I know a lot of people think I’m right into EVH, and I am, but really only the first four albums. I was more into George, actually. I thought he was a bit more aggressive. And while Eddie was doing Jump, George was guest soloing on a Tony MacAlpine album. And trying to become better. I think Ed was just coasting.

“Bitch, I got your coasting..”

The last Dokken album I bought was Back for the Attack. I do have Lynch Mob Wicked Sensation. And as you may or may not know, by the age of 20 I started moving from Cock Rock to Thrash.

George, I love you man. You fucking fixed my vibrato, and I told you this every time I saw you at NAMM. As a tenth grader, I even had the half and half bleach dye job as well. I got teased at school, but fuck those clowns. My dad hated it, and fuck him, too. Ha ha.

Dokken gigs I’ve seen that I remember: 87 with Loverboy at Marriott’s Great America, and ’89 supporting Aerosmith. Oh, and a Day on the Green, with Metallica, and Van Hagar were headlining. My friends and I were walking to the car as “There’s Only One Way to Rock” was playing.

George, do me a favor; fuck off the single coil strats, the shitty phaser pedal you’re now using, and burn the fucking black fingerless gloves. Play for an hour a day and show every mutherfucker you mean business!

Ah! It won’t happen, I’ve been told:

I do love you though. I’ll always have a soft spot for you. And EVH. And Gilbert. And Becker. You four, baby. You four.

Another vibrato rant can be found HERE

I love Vio-Lence A LOT

Posted by dougfcknsteele on July 22, 2014

Especially Oppressing The Masses, which was brutal as all fuck.

My personal faves are all but the last two songs. Even then I listen to all of it. The first five songs in album order are THEE SHIT.

In 1991 I was 22 and a fairly angry young man. I was getting into Thrash Metal and living in San Jose, California. South Bay. By this stage my friends and I were going to Forbidden gigs regularly at The Omni and The Stone, and seeing as many Thrash bands as our wallets would permit. We had the clothes too; metal shirt, tight black pants, leather jacket, and cons.

I forget how I even heard of Vio-Lence, probably the other guitarist in Sinister Sam (Scot Miller). He had both Eternal Nightmare and OTM. But I heard OTM and fell in love pretty instantly. Mad fast chugging rhythms, two good lead players, a scary looking vocalist (which is what you want if you’re playing metal), a cool/solid bass player, and last but certainly not least, a fucking MAD drummer. I really enjoy Perry Strickland’s drumming on OTM. I used to air drum to that shit all the time, especially in the car where I probably looked like a total asshole freak.

Sinister Sam played the Cactus Club probably every three weeks. We never really played anywhere else. We were fortunate enough to support both Forbidden and Vio-Lence. The night we supported Vio-Lence we were there for soundcheck, and Perry wasn’t in the building. Sean Killian (vocals) goes, “We need to get soundchecked, I can’t find Perry, anyone play drums?” I go, “Yeah, let’s do World in a World.” Now, I’m a good shit drummer, if you know what I mean. I don’t have a kit, it takes me 30 minutes to even sound remotely decent, and here I was, about to get up onstage and play World in World with my favorite Thrash band!! I knew we wouldn’t get past the first few measures, so I was pretty safe. Robb or Phil goes, “Ummm, I don’t think it’s a good good idea for you to get on the kit, Perry will Pummel you..” Of course I heeded those words and it probably saved my eye from becoming black and swollen.

Anyways, Sam played well, and Vio-Lence killed it. I bought one of their shirts and wore the fuck out of it. I got to ask Sean exactly how many people were used on their gang vocals, which I absolutely LOVED. He said 18, 9 people twice. Phil Demmel was quite a nice character and we’d chat with him a bit when we saw him at other venues. I had 3 tapes (eventually CD’s) in my car: Vio-Lence OTM, Forbidden Twisted Into Form, and Pantera VDOP. I blasted those incessantly for three years straight. Metal Heaven! Goddamn I felt so TOUGH, ha ha ha!

Sinister Sam shows opened with us playing a song of another great band, then morphing it into one of our originals. We did that with Dio, Exodus, Theme from Halloween on Halloween, Mr. Bungle, Nirvana. We also did Vio-Lence I Profit. Here’s a rehearsal of us at the now defunct Rock Gardens in San Jose doing just that:

And on Sam’s second demo (which was recorded at Prairie Sun Studios), we put a TINY little bit of Officer Nice into one of our songs, at :34.

Vio-Lence? You are perfect music for an angry young man, and now an angry older man. I loved the songs and the live shows. Even the shirt. And the vids. I just saw the documentary on YouTube and I even love that. Especially the part when Robb said he wanted the guitars to sound like SOD. I even wrote you guys a letter as a 22 year old telling you how fuckin’ rad you guys are. Thanks for the music!!

Johnny

I love Mykki Blanco

Posted by dougfcknsteele on June 30, 2014

So, while I was visiting friends in San Jose, California, my wife was posting (on my Facebook wall) a music video a day until I got back. She posted a Mykki Blanco video (Wavvy), and at first, I didn’t think much of it. Until I got back and watched a few more MB vids. And then I fell in love with the music, the words, and the videos.

You see, Mykki Blanco is a gay rapper who sometimes wears women’s clothing.

Here, you check it out.

Mykki’s YouTube channel HERE

A week after I got back from the US, Alex tells me that MB is playing at the Hi Fi Bar in Melbourne. And what a ko-wink-a -dink, a friend of mine is doing sound and can get us in.

In a nutshell, the show was brilliant. The BASS was fucking HUGE. It was so bassy Alex got scared and grabbed my arm, ha ha. I fell in love with bass that night. I felt that shit move my chest. Mykki started out as a female (skirt, wig, not shirt), and halfway through, ended up male (jean cut offs, no shirt). Brilliant show. Went into the crowd more than once, had the crowd come up onstage, and then after the show, stayed in the crowd, declared the rest of the night “the afterparty”, and danced to the DJ music. Loved it.

The only pic I took of the whole night. He got all the people up onstage so he could go down in the crowd and perform there. Brilliant move. One of the best shows I have seen in a long ass time. REAL GOOD. See the cracker in the black shirt crouching on the right? That’s my buddy.

Disclaimer: Gays do not offend me, but being a cunty asshsole does. And hipsters. It’s none of my business who does what in the privacy of their bedroom. Fuck furniture for all I care. I have gay friends and one gay sibling, it’s all good in the hood.

I love Jason and Marty

Posted by dougfcknsteele on April 9, 2014

I heard Cacophony around ’87 or ’88. The Shrapnel record label that catered to all these shred bands was located in Cotati, Ca. (I’ve been to Mike Varney’s house. He had a room full of VHS tapes of dudes burning; guitarists, drummers, etc. He also had all the pre CFH Pantera albums on vinyl. Pretty cool!!) Sinister Sam also recorded two demos at Prairie Sun Studios, where all Shrapnel bands recorded. I’ll save that story for another time. Actually wait, there is no story. We recorded two demos out of Prairie Sun and Mooka (studio owner) was awesome.

So yeah, I heard Speed Metal Symphony and HATED it. But I also hated Metallica in the beginning as well. My friend Rod used to bag on the lyrics to Desert Island: I want to spend my life at the beach!! I was fine with that. Hell, I want to spend MY life at the beach; Gold Coast, to be exact. Australia’s Florida. Read on!!

I hated Cacophony until I heard the solo to Desert Island. And then, in true John Sanders fashion, I shat my pants. I really dug the first dirty solo just after the little harmonized bit. The part just after the floyd warble-cricket noise is just INSANE!! I had no idea which guy played it. So in my mind, I thought it was Marty. There was no internet, so I basically just took a guess, “Yep, the guy with the curly hair looks more metal and older, he played it. I’ll go see them play live and stand right in front of him, like the 19 year old jack ass that I am. Hand on chin (when my arms are not crossed, mind you), mentally taking notes on every move, scale, power chord, etc. Because “I’m a guitarist and this is what I DO.” That’s what we all did.

So we find out that Cacophony are playing at The Stone in San Francisco, and a few of us go up. The band comes on and I immediately high tail it to Marty’s side. They play Desert Island, I’m standing right in front of Marty, and to my utter shock, Jason’s playing the first solo!! So there I am, scrambling to get to Jason’s side. Ha ha ha!! The second Stone gig I saw them at they had just come back from a tour of Japan. In between songs I’m trying to talk to Jason about the Japanese tour!! “So, how was it, man?” I’m sure there was a strong urge on his part to kick me in my teeth. Glad he didn’t.

I think I’ve seen Cacophony three times; twice at The Stone, once at The Omni in Oakland. Loved it. Saw Jason do the yo-yo thing right in front of my face. Ahh, the joys of living in California!! My only complaint with Cacophony was their rhythm section. I wanted all bad asses like Racer X and got something a little more comparable to Faster Pussycat. Not a nice thing to say, I know, but I was also a teenager and wanted fucking shred from every motherfucker in the group, dig? I wanted to see Dean Castronovo or Atma Anur and got clowned. I’ve relaxed a touch now. Not by much though.

What I love about Jason. Pretty much everything. The songs and solos off the two Cacophony albums are thee shit. Perpetual Burn is a fucking masterpiece. Live, his stage presence was pretty tough. You can’t just stand there, people. The crowd can stand there packed together. Give them their money’s worth (not to mention you have fuckloads of room up onstage) and shake dat ass. I also tripped out on how tall Jason was when I saw him after one of the gigs. He’s like 6’2″ or 6’3″.

I got all my sweep ideas off Jason and Bruce Bouillet. I bought that Jason Becker VHS tape which features the clinic where he shows the Serrana Arpeggios, and I took notes. That totally opened my mind to new ideas, which I’m grateful for.

I called that Jason would get the Roth gig. That was pure common sense. Anyone who saw Cacophony play would have easily made the connection. There was no other choice than Jason. He, at that time, was the best guitarist in the world hands down. I fully believe that. He was the Guthrie of the late 80’s. Here, check out Jason’s 4 track demo of the Roth stuff

His shit swaggers!! He’s the only guy I love doing the blues/shred thing. Him and Kotzen.

I saw him at NAMM one year, he was on crutches, I remember asking what happened. I think he said he fell or some shit. I had a pic of that somewhere. He was talking to Atma Anur at the time, so I didn’t stick around and bailed pretty quick-like. Let fellow band dudes catch up.

When I heard the news about Jason and ALS, I knew there was no God and the world was truly fucked. I’ve cried about it a few times. Even now he inspires. Matter of fact, he’s written more songs with his eyes than I’ve fucking written with a guitar in my lap! So there’s no excuse. You wanna do something, do it. Jason Becker is the shining example of that. Even his body won’t get in the way of what his mind wants to do. And it gets done. I’m sure there are down times, but you just keep going. Great message from a fuckin’ rad dude.

Jason, you are thee shit!! Your playing inspires people, you continue to inspire!

Interested in what Jason’s doing these days? Go HERE

What I love about Marty. Lots. All the exotic stuff. Bending from a note out of key to a note in key. Make the ears fire right up, ha ha!! The cool phrasing, so many cool ideas. I love the shred more on Perpetual Burn, but I love Marty’s songwriting. I feel he’s the more metal of the two as far as riffs go. That last riff in Anvils is thee shit!! I love the Megadeth / Marty years. Great solos, so good that you’d want to play them live note for note. Hitting a high G on Holy Wars? Get the fuck outta here! The perfect Yin to Jason’s Yang, for sure.

Both inspire and leave great legacies for us to dig right into and go, “Yeah, these dudes are the fuckin’ REAL DEAL..”

Tell me that isn’t the raddest hair!! I’d grow that business to my ass!!

I love Paul Gilbert

Posted by dougfcknsteele on April 8, 2014

Paul (as well as Bruce Bouillet), Jason Becker, George Lynch, Mark McGee and EVH had the biggest impact on me in my formative years.

One of thee most terrifying guitar duos in Metal. And I saw that shit LIVE!! I’d like to have a 7 string in that shape as well. RAD!! Ibanez!! Get fuckin’ crackin’!!

It’s 1986. A friend of mine, John Marks from Silver Creek High School had Street Lethal on album. He handed said album to me and goes, “Remember, this kid is only 19..” I’m like, “Just gimme!!” And I grabbed it straight out of his hands. I was at my drummer’s house at the time, and we slapped Racer X on the turntable and cranked the volume. I didn’t love it immediately, I thought that guitar tone was the weirdest fuckin’ thing I have ever heard, and not in a good way. The Marshall amp used was hot rodded by this company called Metaltronix. A friend of mine Brian Sutherland had a Metaltronix head, and that shit was MAD ASS!! So I’ll blame this aural error I’m now hearing on the engineer at Prairie Sound, whoever that was.

I also heard a pretty big Yngwie influence on there as well, which isn’t a bad thing, but why do Yngwie if there’s already a fucking Yngwie, right? I think I was a tad jealous in the beginning, so I was looking for ANY excuse. I was 17, Paul was 19. It happens.

This album was pre Bruce Bouillet, but that didn’t matter, I really liked a lot of the songs on here. Favorites include Blowing Up the Radio, Loud and Clear, Getaway, Into the Night, Street Lethal. Check it out.

Why do I love Paul? Many many reasons. Second Heat, the album after Street Lethal, was one of them. I seriously thought Shred Pop was going to be The Next Big Thing. Then Nirvana came out and fucked up that dream hard. I’m still annoyed about that, but I love Alice in Chains, so I guess it all worked out. But seriously? Fuck Grunge. Back to Paul.

Another reason why I owe so much to this man is because he took my guitar playing to the next level with his Intense Rock 1 video. There’s STILL shit on there I can’t do, and this was ’87!!!

Master this whole video, then move on to other shit. See you in 25 years.

So, he completely got my picking up to scratch. Remember, I was into Lynch (probably more than VH at this stage), and Gilbert had all the shred rock techniques covered. It didn’t hurt that his hand was huge as fuck, but take advantage of whatever you can. At this stage he was in his most Metal form, he had the Lynch vibrato as well.

A year later, we piled everyone into my ’66 Chrysler New Yorker (that I bought for $50), and we headed to the Stone in San Francisco to see Racer X and another crazy Shrapnel band I had never heard of, Vicious Rumors. Racer X were on fire that night. I was able to see Paul’s hands close up, and I understood what was going on, even though I couldn’t do it. Fuck they were bad ass. My friend John was there, and he took GREAT pics. I still have a few somewhere. I had seen Racer X a few times, even once without Paul and just Bruce.

I was fucking THERE, man!!! And yes, I am aware that’s it The Omni in Oakland, but I went to that gig as well.

I had also seen one of the first incarnations of Mr Big. It was Paul, Eric, and a few dudes from Tesla. Good show, Paul still had fire, but I was getting pretty sick of the blues element in rock. I can probably handle it more-so in Pantera, but I don’t want my favorite shredders playing blues.

And that’s where he lost me. Mr Big, blues, weird, thin lead tone, etc. If it was a perfect world, Racer X would have gotten heavier, may have busted out the ole’ 7 strings, and fucked everyone’s ears and asses right into the ground. I still love Paul Gilbert. I owe him!! That first video did wonders for me. Paul, If you ever read this, I love you. You are thee shit. I totally ripped off your right hand picking technique. Yeah, not a huge fan of your blues shit, but that’s life. You have made me a better player. I got to witness Racer X in a club environment. I’ve met you at NAMM and you were way nice. I even think we did the hand size comparison, ha ha. His hands are fuckin’ HUGE.

Paul Gilbert was part of this!!

I love Ace Frehley

Posted by dougfcknsteele on April 3, 2014

The first time I heard two handed tapping on guitar wasn’t Eruption, oh no. It was Ace’s solo on Alive II. In the 70’s KISS were absolutely at their zenith in terms of everything. Yeah, Gene may have fucked up the brand by putting their name on every single thing under the sun, but what can you do? I owned about roughly 15 of their albums, bought the KISS dolls (well, mom did as a XMas gift back in the day), and one year I was Peter Criss for Halloween. Yeah, Peter. But that was my drum phase. As a ten year old, I didn’t know they were average players. I was more into enjoying music and not worrying about what technical level these dudes were at as players. I even taped Kiss Meets the Phantom of the Park on audio tape!! We didn’t even have a fucking VCR in ’78!!

My favorite albums would be Hotter Than Hell, Dressed to Kill, Destroyer, and Rock and Roll Over. That artwork is straight up bad ass. I think I was totally done after Animalize. I do, however like The Oath off of Music from The Elder. What a putrid time for them.

Obviously I love the Ace solo album, just like most people with ears. I’m glad Ace cranked that out, as I see Gene being a bit of a dick. Gene’s solo album was pretty shit, if you ask me. My wife screams whenever she hears When You Wish Upon a Star. I laugh my ass off. I will say, as much of a douche as Gene is, I do like his bass playing. I think he writes good bass lines that are pretty musical, so hats off to him there.

Favorite era costume? Probably Destroyer or Love Gun. Although with Love Gun, it’s like he had a touring suit and a photo op suit. I like the real silver suit. I’d like to know the story behind that. So yeah, most likely getting Ace Frehley solo album portrait as a tattoo at the end of ’14. I was gonna get Zappa, but I know a mad ass tattooist that will knock it out in no time. And he loves KISS, so why not? I’ll most likely YouTube the experience as well. If it wasn’t on video, it didn’t happen, right?

I love Gary Moore

Posted by dougfcknsteele on April 3, 2014

The first time I heard Gary Moore was 1983-ish. I would have been in 8th or 9th grade. It was on the radio, probably San Jose’s KOME 98.5.

The song was End of the World. That intro guitar solo was MADDENING! My first thought was, “Oh shit!! My precious Eddie!! There’s another freak out there as crazy as you are!!” Anyways, I heard the song and bought Corridors of Power not long after. I looove that album. It was great, my school friend Dave Hull (who was more of a blues guy) liked Gary Moore as well, so we’d swap records, listen and jam together, that kinda thing. Actually, Dave and I were into AC/DC, Ratt, VH, Ozzy, Icon, etc..It’s good to have a friend like that.

So where was I? Ahh, Gary Moore. Mad player. Those fast picked maj7 motiffs he does are awesome. John Sykes and Vivian Campbell totally ripped him off. As much as I harp on about EVH and Lynch, Gary Moore absolutely inspired me and shaped my playing. I owned Corridors of Power and Victims of the Future. Dave had We Want Moore, and I borrowed the fuck out of that. This was all pre CD times as well, ha ha.

I think the reason I liked Gary a lot was his playing was aggressive, but he was so fucking musical while doing it. And at that point in time, he was the guitarist’s guitarist, everybody was digging on him. Check out these clips. The songs and solos are VERY COOL.

Gary, you were extremely inspirational to many guitarists. You had followings in both metal and blues. And well, I love you. For reals.

The past few months

Posted by dougfcknsteele on March 26, 2014

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Feb 28, 2014: Melbourne Soundwave was great fun. Cassie, Damo Musclecar and myself interviewed a lot of cool people and generally had a blast. We did this for Heavy TV, whom we love and adore. Was great to see Higgo (who was in the same tent as us) and just hang with workmates and musicians all there for one thing; HEAVY MUSIC!! Here’s some pics, if you don’t know who the artists are, tough titties.

Lots of stuff happening in December

Dec 7: Warped Tour with Heavy Mag

Cassie, Noodles, myself. I asked him a shitload of guitar questions. He liked that.

Sat Nov 16: I’m interviewing The Faceless (possibly Nile) at The Corner Hotel in Richmond. I’ve known Wes Hauch for a few years before he even joined The Faceless. So it’d be cool to meet him in person and have a chat to him and Michael Keene. Hopefully this happens.

Interview didn’t happen, but I hung out with him all night. I love that guy, he’s a beast!!

October 18th gig. I was sick as a dog. See? Headlining gig at The Tote.

WEEKEND OF OCT 12: Man oh man!! Interviewed bands at Brewtality put on by the good people at Heavy Magazine. It’s good, I get to meet new people and listen to metal! Total fuckin’ privilege. I is blessed!

That’s Steve and Phoebe from Heaven The Axe, and Dan from Frankenbok. Great pic. I also interviewed Hadal Maw, Scar the Surface, and maybe a few more? I started drinking at this point so yeah…lol.

Sunday, (with a pretty evil hangover) I got the chance to interview Devin Townsend for Heavy TV!! That’ll be posted as soon as it’s edited. The gig last night was awesome. He is a wonderful talent, that guy. And I got to tell him I love him to his face!! We talked about Meshuggah, his love for female vocalists, and the time he was going to let me sing a Strapping song at a soundcheck 15 years ago. Thanks to Century Media and Andrew Haug for teeing that up.

Tuesday June 18: I hung with Municipal Waste. Good guys, I even gave them a Hercules dual guitar stand to get it outta my house!

May 23: I interview Lita Ford today for HEAVY TV.

And that went real well. I love Lita Ford. I remember hearing Gotta Let Go on the radio and thinking, “rad voice”. Then I saw the music clip and went, “She plays guitar too? And does the solo? Yessah!!” So yeah, when I saw her today, I got to tell her that. The only thing hotter than a chick guitarist is TWO chick guitarists. Doing Jason Becker harmony sweeps and headbangin’ like Angus!!!!

Wanna learn your favorite guitar solo? Want a new technique to check out? I’m doing EXCLUSIVE Unlisted YouTube clips. Go HERE

Cherryfest 2013

Posted by dougfcknsteele on November 27, 2013

So, every year at the Cherry Bar in Melbourne is Cherryfest. A fuckton of Sleaze Rock/Blues and Stoner bands, pretty much. 14 bands, two stages. The Heavy TV film crew was there with Cassie and myself, and we interviewed lotsa lotsa bands! They’ll end up HERE. Check out my pics, yo:

The bands are The Mercy Kills, Blues Pills (Swe), and Bellrays (USA). We had fun with all of them. And that’s the best part. And of course there’s that lovely pic with myself and Cassie and Sheri.

Tonight I go to the Northcote Social Club and interview German 70’s Stoner Gods Kadavar!!

Email from Jeff Duncan / Armored Saint

Posted by dougfcknsteele on November 22, 2013

Hi Doug.
My name is Jeff Duncan.I play guitar for a band called Armored Saint.Ive been watching and learning Van Halen solos from your vids for a while now and just wanted to drop you a line and say thanx.Being a big Eddie freak for years I’ve found your vids helpful as well as enjoyable.Youre a great player and once again,thank you so much for sharing the info! –Jeff Duncan

—————————————————–

My reply:

Jeff,

Hello!! What a great email to get on a day off. You and I are probably the same age, but yeah, I looooove Ed. I didn’t have a teacher so I’d just slap a record on the ole’ turntable and force myself to get that shit happenin’. Thanks for the feedback. I’m going to do a few more clips then start on Lynch and DeMartini, ha ha!!

Take care Jeff,

John/Doug

I love Forbidden

Posted by dougfcknsteele on November 20, 2013

I think was about 20 when I first heard of Forbidden, and I don’t even remember how. Here’s what I do remember:

I was living in San Jose (Ca) when I bought Twisted Into Form. They had just acquired a new guitarist (Tim Calvert), and that album was fucking GREAT. Mean rhythms, mad leads, great vocals, stellar drumming. There were all age gigs at The Mountain View Theater every now and again, but I think I was about 21 when I started seeing Forbidden live. What a treat!!

After my buddy Scot and I went to a few Forbidden gigs, we start bugging Craig Lucicero after every show: How did you get signed? Where did you record? This happened pretty much every single time we saw him. And like an absolute champion, he was never bothered by it. In fact, we started getting invited to their after parties which took place at their rehearsal room in Fremont. Mad shit!! We were partying with Thrash Metal royalty!!

I always thought of Craig as my heavy metal guidance counselor. And when Forbidden toured Australia in 2011, he hasn’t changed!! It was funny!! He even looks the same. He was schooling me on how to introduce my wife to him, etc. I felt 21 all over again.

Craig be far left

When Scot and I finally had our own band going (Sinister Sam), we were sooo happy that we got the opportunity to support Forbidden AND Vio-Lence. Both bands helped us acquire a nice little Bay Area following. And we loved watching them and hanging with them. Both bands were very friendly and quite supportive. Both were quite an influence on Sinister Sam in the early years, for sure. We even intro’d one of our gigs with Forbidden’s Infinite and Vio-Lence’s I Profit. I wished I had that shit recorded.

Sinister Sam supporting Forbidden at Cactus Club

This whole album is fucking incredible.

I snuck in to see John Scofield live

Posted by dougfcknsteele on November 18, 2013

I just remembered this today.

I was 19 (1988 – ish) and we snuck into this small club near San Jose to see John Scofield live. We were under the assumption that Dennis Chambers was on drums, so in we went. While waiting for the gig to start, we sat down in the front on the floor. I was drunk, and this guy comes up to me and asks me if I’m with the University music theory jazz class. I of course lied and said yes. He then goes, “Do you want to say hi to the teacher?” I was like, “ughhhh..fuck, I guess”, but it sounded more like “Yeah, totally!” out loud. So he introduces me to this man who has never seen me ever. I say hi, shake his hand, walk off, and pray this meeting doesn’t bite us in the ass.

To cut a long story very short, We got kicked out after 4 or 5 songs, which was fine. Dennis Chambers wasn’t there, and I really just wanted to see him burn on drums. There were 8 of us, so we knew going in it wouldn’t last.

We go outside and notice that there’s a long thin window near the drummer. My friend at the time Rod pulled his pants down and smooshed his ass on the window until the drummer looked over.

We were in stitches.

I never said we were mature!!

I love Mark McGee – Vicious Rumors

Posted by dougfcknsteele on October 2, 2013

Imagine you’re 19 years of age and it’s 1988. One of your first club going experiences is Racer X at The Stone in San Francisco.

So, as I remember, it was a four band bill, with Vicious Rumors, a band I had never even heard of, in the support slot. Set times: first two bands, half hour sets. Support, 45 minutes, and headliner would get an hour plus.

So, first two bands went on, had pretty good guitarists. By this time in my life I was very much into the Shrapnel label, George Lynch, Gary Moore, EVH, Vivian Campbell, etc. I could differentiate between good and bad playing, and I knew what I liked.

Out comes Vicious Rumors. Man, you would have thought THEY were the headliners!!! These guys were awesome!! They’re described as power metal. I’d even call it High Energy Metal. The band consisted of two guitarists (both lead players) and an absolutely kick ass vocalist, who had the vocal gruff of Ronnie James Dio, but with the range of Geoff Tate. All the boxes were pretty much ticked. Drums / bass combo were cool as well, holding that shit DOWN. The drummer had a pretty cool presence.

Vicious Rumors (as it turns out) were a Shrapnel band. Vinnie Moore used to be in it. Well, the guy I saw (Mark McGee) was on par with Vinnie, easily. Long ass curly hair, moved around lots, provided backing vocals, this guy was my inspiration!! Every now and then I forget, but he was, and there’s no denying it. Racer X hadn’t even come out yet and I was ready to leave (glad I didn’t, as they were fucking nuts as well). Ahhhh, what a joy to be there. I loved that gig and I’ve seen YouTube footage of that era for both Racer X and Vicious Rumors. For the people who post those gigs, a trillion thanks.

(Mark’s second from the left, and his site is HERE, and I have Dave Starr the bassist as a Facebook friend. Cool!!)

I had seen VR quite a few times, and eventually had the balls to walk up to Mark and tell him that he was awesome and I loved him very much, ha ha. I even gave him a steel pick during one of our post gig meetings. He was always nice, and he told me how much he loved the band Heart. I thought that was cool. Variety.

Half a year later or so Vicious Rumors were headlining The Omni in Oakland. I was wayyy into Siouxsie and The Banshees at that stage, and I was wearing this pretty gothy Siouxsie shirt, that had her black and white face on the front:

Carl with my shirt, possibly? A dude who read this blog posted this photo in the comments section below. If this picture was taken at The Omni in Oakland, then this is most definitely my shirt. If the sleeves are cut off then this was definitely my shirt and I am drunk in the audience. My one regret was that I didn’t let him keep the shirt. I should have at least traded for a VR shirt. But 21 year old boys will be 21 year old boys. Read on!!

Very cool if you’re a goth (which were called ‘mods’ in the late 80’s). And I was letting the world know that, yes, I am a metalhead, but I love other shit, too. Well, the singer of VR, Carl Albert, saw my shirt. Before they went on, he comes up to me and goes, “Dude, that is a killer shirt, let me wear it for the gig, we’ll trade shirts..” I go, “okay, but I want BEER.” He takes me backstage into their room, we trade shirts, and he shows me where the beer is, and I start a chuggin’. I was in Heaven!! Not only am I seeing a rippin’ band, but I’m drinking their fucking beer backstage!! Loved it. And no, I wasn’t driving so I was fine, thanks.

They played a great set, Mark had a guitar solo, which of course was nothing short of bad ass, and after the gig, Carl and I traded shirts again. In hindsight, I probably should’ve told him to keep it. I think I was going to, but while that was spinning around in my head, we were both taking off shirts to re-swap.

Many years later I found out that Carl had died in a car accident. How utterly upsetting. This guy’s voice was fucking incredible, and to lose a talent like that would’ve been absolutely horrible for his band, fans, friends, etc. The world lost a great singer. It still makes me sad.

Cheer up!! The music lives on!! Check out VR’s Digital Dictator and Vicious Rumors, and thank me later. Mark? You are an inspiration! You took the time out to talk to a 19 year old kid who had never even gigged by that point in time, and you treated me as an adult, and not a kid or a ‘fan’. Cheers for that.

MAD SHIT!!

Dreadnaught’s 21st anniversary gig

Posted by dougfcknsteele on September 23, 2013

So Dreadnaught had a 21st anniversary gig, with a million bands on the bill. I was not feeling all that great, but still decided it was a good idea to drink. Here are some of the pics I took. Too lazy to mention who the people are but yes, they’re all in bands and they all kick ass. Melbourne has an AWESOME metal scene. Trust me on that.

Fix your vibrato (Rock – Metal – Shred only)

Posted by dougfcknsteele on June 6, 2013

It’s easy, watch the video below, do what he does, and thank me later. I’m sick of dudes who can sweep, tap, do all kinds of whacky shit on the guitar, but as soon as it’s time to shake a note, they have the strength of a 6 year old. Girl. Now, be a fucking man or fuck off. Paul Gilbert even said the two biggest challenges of most guitarists he’s encountered has been vibrato and phrasing.

Vibrato: easily fixed, vastly ignored.

George Lynch vibrato is THEE DEFINITIVE METAL LEAD VIBRATO. Period. It’s slow, controlled all over the neck. Vibrato is supposed to emulate vocal vibrato. It also falls under the ‘feel’ category, so blues players will be less harsh on your robotic ass.You wanna be Tiny Tim or a MAN? Please, out of respect for ears around the world, be a man.

Do you REALLY want your guitar vibrato to sound like this guy’s vocal vibrato?

No? THEN DEAL WITH YOUR SHIT!!!

“It is better to have no speed and Lynch style vibrato than it is to have Guthrie style chops with nervous, shaky uncontrolled horseshit vibrato. I guarantee it.”

– Me, just now (Friday Jan 27, 2017. 2:23 pm)

Me in 10th grade. I loved Lynch so much I did my hair like his. I copped a lot of shit for it, but fuck ’em.

“I’m flattered, Doug..Really!!”

A bit of in depth discussion on George’s vibrato

And instead of being a mad pussy, you’ll be GETTING mad pussy.

Mad vibrato guys: Andy La Roque, Martin Goulding, EVH, Yngwie, Andy James, Zakk, the Periphery guys (especially Nolly), PG and Bruce back in the day, Brandon Ellis, Blues Saraceno, Ty Tybor and that’s pretty much it. WHAT THE FUCK?!?!

Dokken Tooth “N Nail. Great album.

Other mad vibrato dudes:

Soundwave 2012

Posted by dougfcknsteele on March 2, 2013

I’ll make this quick, as I’m sick and I feel like shit.

Casse Walker and I interviewed about 15-18 bands yesterday at SOUNDWAVE for HEAVY Magazine’s HEAVY TV.

All I can say is, it was great!! The bands were diggin’ it, huge crowds (the event gets bigger each year), and everyone had a blast.

So, top photo is myself and Kerry King (photobombing courtesy of Sheri Vengeanza), middle pic is Cassie Walker with Sandy from Fucked Up, and this pic just above us is Josh Middleton from UK Trash Motherfuckers Sylosis. My friend Mick Somerton is Stage Manager for those guys, which was cool. Small world. And when Alarum toured in Europe our friend/driver Zdenek played the shit out of those guys, so it was nice to say, “Josh, I’ve heard your albums like 400 times..” Ha ha ha. He’s singer AND rippin’ guitarist.

All in all, great day/night. Unless you’re ill.

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Doug Steele

AKA John Sanders – Wild SOB

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