I love Seymour Duncan pick ups


Sept 24, 2013: Scott Olson from Seymour Duncan is hooking me up with pick ups to both of my Ibanez guitars (RG1570 AND 3120). I’m not sure it’s an actual endorsement, but I am in love with SO and SD. We’re having a baby in June.

It’s pretty cool, James Ryan is also hooked up. And Dean Wells from Teramaze (who lives right down the street from me) is also hooked up. WILD!!

Nov 13, 2013: Today my black RG1570 was outfitted with Seymour Duncan pickups; JB Trembucker, Classic Stack Plus for Strat, and Custom 5.


I love my Ampeg SS140C – late 80’s pre djent radness


 In 1989 these amp heads were $500 from Guitar Center, and worth every penny. Footswitch controlled clean – dirty, reverb, and chorus.



SINISTER SAM: Scot and I had the exact set up: Ibanez guitars, EMG 81 pick ups in bridge AND neck, plugged straight into the Ampeg SS140C half stack.  This was just after Pantera’s Cowboys from Hell came out, and we were looking for a sound that could cater to muted rhythms (a la mesa boogie) and which also had enough gain for leads, and this amp had both. It also had cleans (with chorus) that were extremely close to the Roland Jazz Chorus.

We were using the Marshall Artist 30 watt head, which we bought together (we were still in high school). As soon as these Ampegs came out, we were hooked. We ended up owning two each. Amp colors came in blue, then black.

Wanna hear what it sounded like recorded? Well, hear ya go (recorded at Prairie Sun Studios in Cotati, California. The lead tones in the beginning were played through the amp with Scot’s intellifex lead patch, chorus, delay, and reverb. Rhythm tracks were one each, panned hard left and right, played live through halfs stacks).  

Same song live: (our rigs were the same as the recorded version – Scot had intellifex, I used head’s reverb for solos)

Live, our singer Gary was hellbent that we put some mids in there, so onstage it was always a battle; he’d walk over and put our mids at 11 o’clock, we’d walk over and put therm back to zero. This went on at every gig  (along with the sermons on how important mids were). I can appreciate mids and tube amps now, back then? Not a chance. This was djent before djent was around.

And lastly, at rehearsal (pre intellifex)

I still own mine, I think. It’s at Luke Walton’s joint, I should ask..

More info on Sinister Sam HERE

And to the Ampeg people responsible for making this 130 watt gem; I love you!! Never had a problem with the amp, could drop it out of a plane and the fucker would still work. We used it for years and years with no complaints, and Scott and I loved our metal tone and were extremely content.

Nice YouTube comment

I got this YouTube comment the other day, thought I’d share it: 

This probably sounds silly, but I’m 45, and people take technology for granted and use it in ways that I’m not even aware of. I’ve been playing guitar since 1991, and used to buy tablature at first on a friend’s recommendation because I don’t read music. It was very tedious to learn Van Halen solos this way and I didn’t get very far. They just don’t sound right picked out note by note, and I couldn’t make much sense of it. I gave up on tab and settled for just playing by ear and improvising, and after a couple of decades, I got to be a pretty competent guitarist.

I stumbled across your “And the Cradle Will Rock” solo dissection here purely by accident a few months ago. I just never thought about people posting something for free on YouTube that I used to pay for, and with a video demonstration to boot! I watched a couple of your other video demos that day. The bag of tricks you showed me opened up a whole new world. I feel like I’ve been riding my guitar with training wheels all these years, and I’m finally learning how to pop wheelies! I can actually play a lot like Eddie now, something I always wished I could do, so incredibly cool!

So, I wanted to come back and say thanks for posting such helpful videos. Rock on!

My reply: Thanks sir!! It’s pretty immersed in common sense once someone shows you. That’s part of Ed’s mystique; make weird sounding shit that baffles the ear, but once you can SEE what’s going on, it’s all quite easy to grasp. And that’s why I hate TAB, unless it’s written by the dude who played the part. Trust YOUR ears, not some 15 year old kid in Texas who shat out a crappy TAB.

I do notice some clowns coming out of the woodwork charging for EVH solo and song lessons, but Daddy Doug kicks down info for free, pretty much. Stick with me, I try and do it right..Ahhh!!  Make sure you watch my fix vids as well. After I post a video, I’ll sometimes hear the solo again, watch another guy on YouTube play it, or an VH isolated track will pop up, and it’ll bother me that my way is slightly off.  So I fixy.

I also suggest you watch a couple of guys play the same part. I recommend YoBroMan.

The playlist of my life


I was lucky. I had a musical family (Mom played piano by ear, aunt and grandfather played acoustic guitar and sang). Not to mention we always had a jukebox in the house. I’d listen to Zep’s Black Dog every morning, putting on clothes in front of the heater. This was Fresno, California early to mid 70’s. PS – I hate Fresno.

I had three older sisters (who were stoners, let’s face it) and they were  into Credence, Zeppelin, Elvis, Deep Purple, The Doors, etc. I was the last born, annoying little brother who destroyed all their record player needles, one by one. I was an asshole early on.


My sweet sisters, they’be both retired! The blonde is Lori, and Lynda’s the other one. My other sister Kim was either too cool to be in the pic or she wasn’t there.

When I was 5, my oldest sister Lynda gave me Emerson Lake and Palmer’s Brain Salad Surgery.  Even as a 5 year old, I embraced that album wholeheartedly. I loved Giger’s artwork, the length of the songs, the sheer craziness of the whole thing. It was music, sweet music, and I was HOOKED!!


Later that same year, my grandmother took me to see Elvis at Fresno’s Selland Arena (the place that Van Halen loved playing so much). This was during his fat years, and we were pretty far back in the nosebleed section. All I really remember is kicking the seat in front of me, Elvis constantly drying his face, and throwing the towel into the crowd. The women screaming and fighting over towels was WILD to say the least. Even at 5, I was going, “Fighting over towels? For reals? That’s batshit crazy”

Life in Fresno kept moving along at a nice pace, I guess. I liked whatever was on the radio; Styx, Queen, Cameo (Shake Your Pants was a huge fave of mine), ABBA, Fleetwod Mac, etc.

I was probably more into baseball than music at this stage, and that was fine. Until I heard KISS.

I was 10. I think I bought Love Gun and Double Platinum on the same day. My mom gave me $10 a week in allowance and that went to KISS albums for a very long time. I was soooo into KISS that I remember being at this girl’s house, she was playing VH’s Women and Children First, and I thought that shit was way too heavy for me!!! Can you imagine that? “Hmm, not KISS, so fuck it.” Idiot. Hey, I never said I was smart. But Jennifer Brown sure as fuck was. My obsession with KISS was sad. I even audiotaped KISS Meets the Phantom of the Park. This may have been PRE VHS days. Ha ha.


At 12 or 13 I had come to accept there were other bands besides KISS. I was getting stuck into lots of AC/DC and Van Halen II at this stage. Hadn’t even heard Eruption yet, but when I did, it was Xmas. I was 13, and then I knew what I wanted to be. I wanted to be Eddie Van Halen.

johnny teen

So my teenage years comprised of being in love with any band who had a killer guitar player. Van Halen, Dokken, Icon, Ratt, Dio, Frank Marino, Gary Moore, anyone who could burn on guitar. Rock radio in San Jose California (I had moved, thank GOD!!) was AMAZING, to say the least. KSJO and KOME opened my step bros and I into even more heavy music.

I’d do a lot of trying to learn a lot of  songs and solos by ear. I spent countless hours in my bedroom doing this, and at times it did feel like work, but once I nailed something, it was a celebration. I learned how songs and solos were written. Totally invaluable. I was in my first band when I was 14. All we could play was You Really Got Me, Pretty Woman, two Y&T songs, two John Waite songs, and that was it. We’d have six hour band practices and just jam on four songs, ha ha ha!!

Electronica. When I was 13, we had taped over a Thomas Dolby cassette; The Golden Age of Wireless with VH’s WACF. But after the VH ended, TD began, and my step brothers and I started really digging the new wavey electronica vibe that Thomas Dolby was kicking down. I bought that particular album on CD as well as TD’s Aliens Ate my Buick. Fucking awesome!!!


My sister’s husband Dave was a MASSIVE Zappa freak; had all his albums. So, I’d go visit, grab his headphones, throw on a Zappa record, read the lyrics, check out all the visuals, and laugh at the hilarity of the words and the absolute impeccable musicianship. Some people need to work at liking the Zappa catalogue. I got that shit right away. My favorite albums are Sheik Yerbouti, You Are What You Is, Broadway the Hardway, Overnight Sensation, Tinseltown Rebellion, The Man from Utopia..Lots, from the sounds of it.


1986 was the change from cock rock to Thrash, and it’s all thanks to Van Halen’s 5150 album. It was 1986, 5150 had just come out. I bought the album, went to my girlfriend’s, played the whole thing once, and said, “Wow..Fuck this..” I was sad. The cock rock era was getting more and more pussified, and I was 18 and angry. Thankfully, Anthrax had rescued me.

My love affair with Anthrax started June of ’87.. Their muted power chords (for me) were on par with hammer ons or pinch harmonics. I fell in love with that sound immediately. And I had never heard double bass drumming played that fast!! So now I was on a Thrash binge. Anthrax, Metallica, Megadeth, Forbidden, Vio-Lence Which Sinister Sam eventually supported) Iron Maiden (who I’d been into thanks to MTV). Loved it. I even saw the Among the Living tour in SF, with KISS as the headliner. KISS were unmasked and fairly gay at this stage, so it’s pretty safe to say that I had watched four KISS songs and fucked right off. Now in addition to all the trash I was getting into, I still had my ear to the ground. One of my girlfriends had turned me onto Siouxsie and the Banshees, who I still listen to even now. And Tears for Fears Songs from the Big Chair had a pretty big impact on me as well. The bass line in Head Over Heels is very catchy.

And let’s not forget the Shrapnel catalogue. Racer X, Cacophony, Tony MacAlpine, Greg Howe, Apocrypha, Joey Taffolla, man…By the time I was 18, I was totally and utterly burnt out on guitar instrumentals. I even hate them to this day. If you’re not Holdsworth or Satch, I don’t wanna fuckin’ know about it. Wait. My all time fave guitar instrumental album is probably Jennifer Batten’s Tribal Rage, and not because my friend Glen plays drums on it. It’s just perfect. For me.

Sinister Sam was started in High School. I had met Scot Miller (the other guitarist) in 1986 and he totally influenced my musical catalogue. He got me into Sting, the Red Hot Chilli Peppers (Hillel period), Fishbone, Toto, They Might Be Giants, Billy Idol, Mr Mister, Steely Dan, etc. In high school we were just a shitty cover band playing parties without a vocalist. Pretty bleak I’d say. It was until we got out of school, started adding Funk and Jazz into the mix, and not putting solos in every songs that the shit started getting wild. I’d say Sam was Pantera style thrash rhythms with Jazz and Funk interludes. Man, that was a great time to be in that band.

johnny sinister sam

I’m starting to get a headache, ha ha. What do I listen to now? Classic VH, Basia, The Orb, Thievery Corporation, Endorphin, The Orb, Goldfrapp, a shit ton of electronica. No words? Even better. I like soundscapy stuff. I respect bands like Periphery and that group of metal/shred three-guitarists-in-a-band vibe, but I don’t listen to it. Not often, anyways. And if you’re a band that plays to backing tracks, well, that’s horseshit in my book. It’s band karaoke, and I won’t be apart of that, thanks.

I won’t lie, there’s music I abhor; all R’n B (from every era), all country music (aside from instrumental shit and anything Brad Paisley does). And commercial rap. But I LOOOVE gangsta rap.

So, listen to everything!! I have dishes to do and a birthday party to attend. Rawk!!

Wanna HEAR?